Yasmin Williams, a new kind of guitar hero, is listening to the world around her

Yasmin Williams, a new kind of guitar hero, is listening to the world around her

“That was the real magic trick right there. No matter how nonchalantly she tried to demystify her inventive techniques, there was no getting around the big mystery of music itself — how it can form inside a specific feeling or place only to communicate something totally different someplace else.”

Virga - An Amazon Music Original

Virga - An Amazon Music Original

“Harp guitar in hand, Williams simply puts on a fingerpicking masterclass, creating a driving rhythm that doesn't let up for a second (even, remarkably, while she transitions from playing upright to laying the guitar on her lap – twice!) and a luscious, varied landscape of crystalline harmonics, beautifully melodic figures and booming bass notes from the harp guitar's top neck.” - Guitar World Magazine

Aquarium Drunkard Transmissions Podcast

Thank you to Aquarium Drunkard for having me on the Transmissions podcast! I had a wonderful interview with Jason P. Woodbury in which we discussed me being a black artist in a mostly white genre, issues with the American Primitive guitar genre, the music I grew up listening to, and other topics! Check out the podcast here.

Urban Driftwood OUT NOW!

My second LP, Urban Driftwood, is OUT NOW on Bandcamp and all streaming platforms! Check it out here: Urban Driftwood Download/Stream Link

Thank you so much to everyone who helped with this record, including: Jeff Gruber of Blue House Productions (recording/mixing), Charlie Pilzer of Tonal Park Studios (mastering), Taryn Wood (cello), Amadou Kouyate (djembe, cadjembe) and Louis Munroe (cover and inner sleeve art) for all their help and support with this record! Thank you to the press outlets who have given Urban Driftwood lots of amazing recognition! Lastly, thank you to everyone who is listening to and buying the record!

Washington Post Feature

Washington Post Feature

"Above all, 'Urban Driftwood' is her challenge to widespread preconceptions about the music made by young Black people or acoustic guitarists. It’s Williams’s achievement that she makes that challenge sound so calming and beautiful." -John Lingan, The Washington Post